Emma Watson - I love Harry Potter - is on the cover of Vogue US! Photographed by Mario Testino, she looks miraculously beautiful. I always like her, she is 'a real English rose', as Karl Lagerfeld once said. The actress is 21, and now has finally completed the role of Hermione Granger. At the same time I want and don't want to see the finale. It's been such a long journey for millions of people around the world, and now these final steps.. It's hard for me to imagine no Harry Potter books and movies. But this wonderful new world will stay in my heart for a long time, I'm sure.
Let's get down to business and see the cover with this beautiful lady! By the way, in the issue Emma speaks about life after Harry Potter. Enjoy yourselves.
Vogue US
Showing posts with label Karl Lagerfeld. Show all posts
Showing posts with label Karl Lagerfeld. Show all posts
Tuesday, 14 June 2011
Sunday, 5 June 2011
Freja Beha as a Poet
Freja Beha confessed to the New York Magazine she'd want to be a poet.
"I do write now, but I'd like to actually be really good at it, you know? It takes years of practice, I think, in order to get really good at something".
Danish model, Karl Lagerfeld's muse, has worked with Karl at least 5 seasons.
"He [Karl] knows exactly what he wants, and he has a whole vision in his head, and he's very creative, and he'll come up with ideas for every single shoot, which makes my job extremely easy".
.
"I do write now, but I'd like to actually be really good at it, you know? It takes years of practice, I think, in order to get really good at something".
Freja Beha Erichsen by Terry Richardson for Vogue Nippon August 2010
Danish model, Karl Lagerfeld's muse, has worked with Karl at least 5 seasons.
"He [Karl] knows exactly what he wants, and he has a whole vision in his head, and he's very creative, and he'll come up with ideas for every single shoot, which makes my job extremely easy".
.
Friday, 27 May 2011
W Magazine: 30 Minutes with Karl Lagerfeld
This is a very cherished post. If you've read me for some time, you know that there are people I affect, and that's felt very much when you read The Prophet. The most cherished person here is.. Karl Lagerfeld. I've never had icons, and surely won't, that's not a wise thing. But there are people I'm interested in. That's why this interview is cherished. It's wonderful, let's be honest. Enjoy yourselves.
Lagerfeld: What can I tell you?
Well, let’s start with this ad campaign you’ve done for Magnum Ice Cream.
I’ve done many ads because that’s my new career. It’s an inspiring extension for my mind. I always loved advertising. If I hadn’t been in fashion, I’d have been in advertising. I like everything about it. I think it’s an interesting expression of the culture of the moment. I just put out a huge book about the history of German advertising from 1900-1920, because it was the best period. It’s not very well known, but there were great artists. And those posters—when they show up, there are hardly any left—sell for fortunes. It’s a very interesting book, I must say. In fact it’s a box with 12 books.
So why ice cream?
Don’t forget my father was a milkman. He produced Carnation milk in Europe under different names, so I like to say he was a milkman. And ice cream is made with milk, no?
Do you eat it?
I would love to if I was allowed to eat sugar, but my doctor told me that sugar wasn’t needed for me so I haven’t touched it in ten years. I also did the ad for Dom Pérignon and I don’t drink alcohol, but I think it’s a very civilized drink.
Do you crave sugar?
No. Gone. But I like chocolate. I don’t eat it, but I like the smell of it. People can drink with their eyes; I can eat with my nose. I would love to have a perfume based on chocolate.
Eau de Cocoa.
I love the idea.
You’re a busy man.
I’m always busy. You know, the more I do, the more ideas I have—that’s the funny thing. The brain is a muscle, and I’m a kind of body-builder.
Do you ever take vacations?
I’m not an employee who goes to the office every morning at the same time. Then, vacations are needed. I’m like a rock singer with one-night stands on the road. I’m here for two days in New York; I leave in the morning early. I come back for Anna Wintour’s party at the Met, then again at the end of May for a prize I get from the Gordon Parks Foundation. I’m lucky that I can do all these things in the best conditions. I don’t have to struggle for that. I don’t have to discuss budgets. I don’t do meetings. At Chanel, there are no meetings. At Chanel, we do what we want, whenever we want and it works. And Fendi is the same.
What music are you listening to now?
A lot. But my favorite at the moment is the album that just came out from The Kills. It’s very good. I buy the CD because I think one should buy them. It’s very important. Musicians have to make a living, no?
What are you reading right now?
For the moment, on the plane, I was reading a very well-done biography of Edith Sitwell.
Do you ever think about cutting your hair?
No, because I’m afraid it won’t grow again. And I’m not very gifted for hairdos. This is the quickest thing in the world. It takes less than five seconds.
Do you do it yourself?
No, I have someone who comes to the house and washes it, puts in the dry shampoo, and takes care if it because I have no time. I don’t even have time to go to the dentist. I’m busy but in a pleasant way. I’m the one who wanted to do all of it, so I can’t complain.
What are your thoughts on Dior? Who should take over?
Well I’m not a consultant there, but I think Riccardo Tisci would be good, and then Haider Ackermann at Givenchy—not because they are friends of mine, but because they are good.
But I read that you wanted Haider to succeed you at Chanel?
Not especially. It’s not his world I don’t think.
What about Balmain?
Forget about it! This was a job done by a fashion editor. I don’t even know the name of the man who did it, so don’t ask me about that.
You’re a designer, photographer, book publisher, filmmaker. Is there anything else you’d like to do?
You don’t think four jobs can do?
Is there anything left that you want to do?
Is this a political question?
You don’t even vote!
No, I never ever vote because I know too much about the backgrounds of these people. No, but for me the advertising world is a new country to conquer. When you want something you haven’t done before you have to think it’s the most important thing. If you see it only as a room that leads to another room, you might make a mistake. I don’t want to cross the room. I want to stay there.
So we’ll be seeing more ads from you.
I saw newspapers saying that maybe I do too much because I work with big companies—Coca-Cola, Sky TV, Magnum, Schwarzkopf, which is like L’Oreal in Europe. I’m not going to calm down, because that’s not my nature. But I don’t have to think about what’s next. I think that’s a very healthy thing. The Ivory Tower in the end will kill you.
Is there anything you wish you were better at?
Yes, playing the piano.
Can you play at all?
No! Forget about it. For one year I had lessons and then my mother threw the thing on my fingers and said, ‘Start sketching—it makes less noise.’ She was right. She was a violinist and couldn’t stand poorly played music.
You seem to have a love/hate relationship with technology. You have hundreds of iPods but you don’t use a computer. You correspond by fax.
There are people who only have a fax because of me.
Well, because it’s so outdated!
Well, I don’t want to be in-fashion.
But, really, why do you still fax?
It’s very easy to explain: For me, sketching and writing are the same thing. I like to write. It’s a physical thing—I hate to be without paper and pencil in hand. And I write like a talk. I can put my way of talking on the paper exactly the same way. The machines they tried to make where you write directly on computers are not perfect. The minute they’re perfect, I will use them.
So will we ever add writer to your list of occupations?
I’m not a writer, and I don’t want to be a writer because I have nothing to say.
A memoir?
I’m living my memoir, I don’t need to write it. But I do write a lot of prefaces for books.
You’ve famously worn Dior Homme, Tom Ford. What menswear designers do you like now?
Tom Ford is not as good on me as younger men. And you know why? Because I wore the same kind of clothes thirty years ago—Italian-made by Caraceni. I love the way Tom Ford suits are made. They’re chic; they’re elegant. But on my younger entourage, they look better than on me. I wear Dior Homme—my old Hedi Slimane suits. The ones they do today, too, as long as they don’t get too flou. And a little Lanvin. I used to love Margiela, but it’s not him anymore and it shows a little. I used to buy quite a lot of Japanese labels, too, like Undercover and Number (N)ine, but that one disappeared. Mister Hollywood does well-made clothes. You know, I hate made-by-order clothes. It’s up to me to fit into them, not to buy some orthopedic stuff to get the body into. I never had one button touched on a Dior suit. Size 48 is my perfect size. In the past you had to do fittings because there was nothing really good. But when I went to Caraceni thirty years ago, there was one fitter for waistcoat, one for jacket, one for pants—it took hours. You needed three months to get the clothes. No, no, no. I like things immediately.
How do you like a woman to dress?
It depends on the circumstances, her look, her life. There is no rule that I could reduce to two lines.
Is there one thing that you don’t like a woman to wear?
I’m not mad for thongs.
The fall Chanel collection was rather dark, apocalyptic…
It was three days before the earthquake in Japan. It was right for the moment. But that’s what I felt. It’s instinctual. A collection is about what one feels, whatever it is.
When are you happiest?
Happiness is like a fever. I don’t take the temperature.
When was the last time you cried?
I’m trying to think of the last time I had onions.
By Karin Nelson
Isn't that remarkable? I adore Karl.
W Magazine
Lagerfeld: What can I tell you?
Well, let’s start with this ad campaign you’ve done for Magnum Ice Cream.
I’ve done many ads because that’s my new career. It’s an inspiring extension for my mind. I always loved advertising. If I hadn’t been in fashion, I’d have been in advertising. I like everything about it. I think it’s an interesting expression of the culture of the moment. I just put out a huge book about the history of German advertising from 1900-1920, because it was the best period. It’s not very well known, but there were great artists. And those posters—when they show up, there are hardly any left—sell for fortunes. It’s a very interesting book, I must say. In fact it’s a box with 12 books.
So why ice cream?
Don’t forget my father was a milkman. He produced Carnation milk in Europe under different names, so I like to say he was a milkman. And ice cream is made with milk, no?
Do you eat it?
I would love to if I was allowed to eat sugar, but my doctor told me that sugar wasn’t needed for me so I haven’t touched it in ten years. I also did the ad for Dom Pérignon and I don’t drink alcohol, but I think it’s a very civilized drink.
Do you crave sugar?
No. Gone. But I like chocolate. I don’t eat it, but I like the smell of it. People can drink with their eyes; I can eat with my nose. I would love to have a perfume based on chocolate.
Eau de Cocoa.
I love the idea.
You’re a busy man.
I’m always busy. You know, the more I do, the more ideas I have—that’s the funny thing. The brain is a muscle, and I’m a kind of body-builder.
Do you ever take vacations?
I’m not an employee who goes to the office every morning at the same time. Then, vacations are needed. I’m like a rock singer with one-night stands on the road. I’m here for two days in New York; I leave in the morning early. I come back for Anna Wintour’s party at the Met, then again at the end of May for a prize I get from the Gordon Parks Foundation. I’m lucky that I can do all these things in the best conditions. I don’t have to struggle for that. I don’t have to discuss budgets. I don’t do meetings. At Chanel, there are no meetings. At Chanel, we do what we want, whenever we want and it works. And Fendi is the same.
What music are you listening to now?
A lot. But my favorite at the moment is the album that just came out from The Kills. It’s very good. I buy the CD because I think one should buy them. It’s very important. Musicians have to make a living, no?
What are you reading right now?
For the moment, on the plane, I was reading a very well-done biography of Edith Sitwell.
Do you ever think about cutting your hair?
No, because I’m afraid it won’t grow again. And I’m not very gifted for hairdos. This is the quickest thing in the world. It takes less than five seconds.
Do you do it yourself?
No, I have someone who comes to the house and washes it, puts in the dry shampoo, and takes care if it because I have no time. I don’t even have time to go to the dentist. I’m busy but in a pleasant way. I’m the one who wanted to do all of it, so I can’t complain.
What are your thoughts on Dior? Who should take over?
Well I’m not a consultant there, but I think Riccardo Tisci would be good, and then Haider Ackermann at Givenchy—not because they are friends of mine, but because they are good.
But I read that you wanted Haider to succeed you at Chanel?
Not especially. It’s not his world I don’t think.
What about Balmain?
Forget about it! This was a job done by a fashion editor. I don’t even know the name of the man who did it, so don’t ask me about that.
You’re a designer, photographer, book publisher, filmmaker. Is there anything else you’d like to do?
You don’t think four jobs can do?
Is there anything left that you want to do?
Is this a political question?
You don’t even vote!
No, I never ever vote because I know too much about the backgrounds of these people. No, but for me the advertising world is a new country to conquer. When you want something you haven’t done before you have to think it’s the most important thing. If you see it only as a room that leads to another room, you might make a mistake. I don’t want to cross the room. I want to stay there.
So we’ll be seeing more ads from you.
I saw newspapers saying that maybe I do too much because I work with big companies—Coca-Cola, Sky TV, Magnum, Schwarzkopf, which is like L’Oreal in Europe. I’m not going to calm down, because that’s not my nature. But I don’t have to think about what’s next. I think that’s a very healthy thing. The Ivory Tower in the end will kill you.
Is there anything you wish you were better at?
Yes, playing the piano.
Can you play at all?
No! Forget about it. For one year I had lessons and then my mother threw the thing on my fingers and said, ‘Start sketching—it makes less noise.’ She was right. She was a violinist and couldn’t stand poorly played music.
You seem to have a love/hate relationship with technology. You have hundreds of iPods but you don’t use a computer. You correspond by fax.
There are people who only have a fax because of me.
Well, because it’s so outdated!
Well, I don’t want to be in-fashion.
But, really, why do you still fax?
It’s very easy to explain: For me, sketching and writing are the same thing. I like to write. It’s a physical thing—I hate to be without paper and pencil in hand. And I write like a talk. I can put my way of talking on the paper exactly the same way. The machines they tried to make where you write directly on computers are not perfect. The minute they’re perfect, I will use them.
So will we ever add writer to your list of occupations?
I’m not a writer, and I don’t want to be a writer because I have nothing to say.
A memoir?
I’m living my memoir, I don’t need to write it. But I do write a lot of prefaces for books.
You’ve famously worn Dior Homme, Tom Ford. What menswear designers do you like now?
Tom Ford is not as good on me as younger men. And you know why? Because I wore the same kind of clothes thirty years ago—Italian-made by Caraceni. I love the way Tom Ford suits are made. They’re chic; they’re elegant. But on my younger entourage, they look better than on me. I wear Dior Homme—my old Hedi Slimane suits. The ones they do today, too, as long as they don’t get too flou. And a little Lanvin. I used to love Margiela, but it’s not him anymore and it shows a little. I used to buy quite a lot of Japanese labels, too, like Undercover and Number (N)ine, but that one disappeared. Mister Hollywood does well-made clothes. You know, I hate made-by-order clothes. It’s up to me to fit into them, not to buy some orthopedic stuff to get the body into. I never had one button touched on a Dior suit. Size 48 is my perfect size. In the past you had to do fittings because there was nothing really good. But when I went to Caraceni thirty years ago, there was one fitter for waistcoat, one for jacket, one for pants—it took hours. You needed three months to get the clothes. No, no, no. I like things immediately.
How do you like a woman to dress?
It depends on the circumstances, her look, her life. There is no rule that I could reduce to two lines.
Is there one thing that you don’t like a woman to wear?
I’m not mad for thongs.
The fall Chanel collection was rather dark, apocalyptic…
It was three days before the earthquake in Japan. It was right for the moment. But that’s what I felt. It’s instinctual. A collection is about what one feels, whatever it is.
When are you happiest?
Happiness is like a fever. I don’t take the temperature.
When was the last time you cried?
I’m trying to think of the last time I had onions.
By Karin Nelson
Isn't that remarkable? I adore Karl.
W Magazine
Monday, 23 May 2011
Karl Lagerfeld's Magnum Chocolate Suit
Karl Lagerfeld recently collaborated with Magnum ice cream, one more time, after he shot an ad campaign with Rachel Bilson. And it was good. in fact, were good. Because there are three of them: Art Class, Applause and Mood Photo. You must watch them if you haven't. Baptiste Giabiconi is so undoubtedly worth being Karl's muse.
Not by chance I talk about Baptiste, who also starred in Lagerfeld's The Tale of a Fairy, which debuted during his Cruise 2011/12 show. This French model played a very important role in the creating the chocolate suit.
Lagerfeld's 'Chocolate Suite' has been created to celebrate the launch of Magnum Ecuador and Ghana, the first Magnum ice creams to be made with specially selected cocoa beans sourced from Rainforest Alliance Certified farms in Ecuador and Ghana.
Karl Lagerfeld has designed a hotel suite made entirely out of chocolate (yes, just like in Charlie and the Chocolate Factory). Everything is made out of dark and light chocolate. Bed, walls, blanket and pillows (with laces), furniture - everything that's there. Firstly you might think you see a beautiful alive man. But in fact, that's just the chocolate version of real - yes, Baptiste Giabiconi, mentioned above.
The imaginary chocolate suite was brought to life by Patrick Roger, master chocolatier and chocolate sculptor. To create the suit, they spent 400 hours and 10,5 tonnes of Belgian chocolate.
Lagerfeld stated: "It has been an absolute pleasure to design the Magnum Chocolate Suite. My idea was to flirt with a mix of modern and traditional French influences to create something remarkable". But Kaiser won't try his masterpiece, not a single gram: "My doctor told me that sugar wasn't needed for me so I haven't touched it in ten years. I like chocolate. I don't eat it, but I like the smell of it. People can drink with their eyes; I can eat with my nose. I would love to have a perfume based on chocolate."
You can see the process of creating the suite and Karl's commentaries about the whole idea in Karl Lagerfeld & Magnum video.
Here are the photos of the Chocolate Suite. Enjoy yourselves.
Remarkable. As he wanted. I adore Karl.
Tatler Asia
Not by chance I talk about Baptiste, who also starred in Lagerfeld's The Tale of a Fairy, which debuted during his Cruise 2011/12 show. This French model played a very important role in the creating the chocolate suit.
Lagerfeld's 'Chocolate Suite' has been created to celebrate the launch of Magnum Ecuador and Ghana, the first Magnum ice creams to be made with specially selected cocoa beans sourced from Rainforest Alliance Certified farms in Ecuador and Ghana.
Karl Lagerfeld has designed a hotel suite made entirely out of chocolate (yes, just like in Charlie and the Chocolate Factory). Everything is made out of dark and light chocolate. Bed, walls, blanket and pillows (with laces), furniture - everything that's there. Firstly you might think you see a beautiful alive man. But in fact, that's just the chocolate version of real - yes, Baptiste Giabiconi, mentioned above.
The imaginary chocolate suite was brought to life by Patrick Roger, master chocolatier and chocolate sculptor. To create the suit, they spent 400 hours and 10,5 tonnes of Belgian chocolate.
Lagerfeld stated: "It has been an absolute pleasure to design the Magnum Chocolate Suite. My idea was to flirt with a mix of modern and traditional French influences to create something remarkable". But Kaiser won't try his masterpiece, not a single gram: "My doctor told me that sugar wasn't needed for me so I haven't touched it in ten years. I like chocolate. I don't eat it, but I like the smell of it. People can drink with their eyes; I can eat with my nose. I would love to have a perfume based on chocolate."
You can see the process of creating the suite and Karl's commentaries about the whole idea in Karl Lagerfeld & Magnum video.
Here are the photos of the Chocolate Suite. Enjoy yourselves.
Remarkable. As he wanted. I adore Karl.
Tatler Asia
Saturday, 21 May 2011
Karl Lagerfeld: Magnum ice cream ad campaign
Karl Lagerfeld once collaborated with Magnum ice cream. He shot an ad campaign with Rachel Bilson and his muse Baptiste Giabiconi. And it was brilliant. In fact, were brilliant. Because there are three of the videos: Art Class, Applause and Mood Photo. You must watch them if you haven't. Baptiste Giabiconi is so undoubtedly worth being Karl's muse.
I think not hard to guess which one is my favourite. I adore Karl.
.
Art Class
Ballerina
Mood Photo
I think not hard to guess which one is my favourite. I adore Karl.
.
Sunday, 15 May 2011
Chanel Cruise 2011/12 Show - backstage
Chanel Cruise 2011/12 show, which took place at Hôtel du Cap-Eden-Roc, Cap d’Antibes, May 9th, was stunning, because it's Karl, who always creates a marvelous thing. It was The Tale of a Fairy, created by the designer, it was my beloved Abbey Lee, who opened the show, it was a fabulous hotel, which is one of the most expensive in the world.. It was brilliant. But what was happening backstage the show? When the whole show is perfect, I become even more curious about what was there, behind the curtain, that secret special place, where last preparations are made and counted seconds are left before the world can enjoy one more masterpiece of a genius. Enjoy yourselves.
Not usual to give screenshots for a video of 2:09. But I believe it is a movie. Short piece of art. Everything is perfect together: clothes, models, music, place, light colours.. That's what I affect Chanel for. That permanent striving for the perfect. That unbelieveable aspiration for perfection. Will to be better and better. That Passion. I adore Chanel. I adore Karl.
.
Not usual to give screenshots for a video of 2:09. But I believe it is a movie. Short piece of art. Everything is perfect together: clothes, models, music, place, light colours.. That's what I affect Chanel for. That permanent striving for the perfect. That unbelieveable aspiration for perfection. Will to be better and better. That Passion. I adore Chanel. I adore Karl.
.
Wednesday, 11 May 2011
Chanel Cruise 2011/12 Show
Chanel Cruise 2011/12 show took place at Hôtel du Cap-Eden-Roc, Cap d’Antibes, May 9th. My beloved Abbey Lee opened the show; all the jewelery was real diamonds; during the show debuted Karl Lagerfeld's The Tale of a Fairy. Enjoy yourselves..
..HERE.
.
Chanel Cruise 2011/12: The Tale of a Fairy by Karl Lagerfeld
Finally we can watch Karl Lagerfeld's The Tale of a Fairy, a short film, which debuted at Chanel Cruise 2011/12 show. I believe no words needed.
.
Watch it HERE.
.
Friday, 6 May 2011
Chanel Cruise 2012: The Tale of a Fairy by Karl Lagerfeld - preview
Karl Lagerfeld wrote and directed his new 30-minute film, which is named The Tale of a Fairy. It will debut at the Chanel Cruise 2012 collection in Cap d'Antibes on Monday, May 9. Chanel will post it on their website on May 10 at 8 pm GMT.
Chanel have released a short trailer for the upcoming film. Enjoy yourselves.
Speaking on the film, Karl commented: "Some people may be shocked, it is a movie about an ill-advised use of money which begins with violence and ends with feeling."
Models: Amanda Harlech, Kristen McMenamy, Freja Beha, Bianca Balti, Baptiste Giabiconi, Brad Koening, Jake Davies, Mark Vanderloo, Oriol Elcacho, Sebastien Jondeau, Seth Kuhlmann and the film star - Anna Mouglalis.
My mind will be blown. I adore Karl.
Front Row Seat
Chanel have released a short trailer for the upcoming film. Enjoy yourselves.
Speaking on the film, Karl commented: "Some people may be shocked, it is a movie about an ill-advised use of money which begins with violence and ends with feeling."
Models: Amanda Harlech, Kristen McMenamy, Freja Beha, Bianca Balti, Baptiste Giabiconi, Brad Koening, Jake Davies, Mark Vanderloo, Oriol Elcacho, Sebastien Jondeau, Seth Kuhlmann and the film star - Anna Mouglalis.
My mind will be blown. I adore Karl.
Front Row Seat
Thursday, 28 April 2011
Karl Lagerfeld: no Paper Passion fragrance
Karl Lagerfeld WON'T launch a fragrance called Paper Passion. His obsession with books is at least as strong as the obsession with creating clothes. The designer owns a bookstore in Paris, called 7L, situated on Rue de Lille, 7. And, of course, we can't but mention his infamous studio in Paris, where Lagerfeld keeps around 300 000 books.
I'm upset, to be honest, because not so long ago I finally realised how wonderful the world of books is, and how bottomless, eternal it is. And I was so looking forward to this fragrance hitting the shelves of stores. What's more, Karl Lagerfeld for me has always been something special, and everything he touches 'grabs' my mind and doesn't let go. That's what Karl does.
But still we won't see Paper Passion, since the designer's PR director Caroline Fragner recently said that only beauty giant Coty Prestige develops and distributes any fragrance for the label Karl Lagerfeld. She also stated:
“Mr Lagerfeld refutes his implication in the launch of the perfume Paper Passion. This project, of which Mr Steidl [Steidl - Lagerfeld's publisher] told him about, only emanates from the art books' publisher himself.
Mr Lagerfeld copublishes many books with Mr Steidl but sticks to Coty Prestige when it is about his own perfumes' creations.”
Books shape man's mind and heart. I adore Karl Lagerfeld.
Luxuo
But still we won't see Paper Passion, since the designer's PR director Caroline Fragner recently said that only beauty giant Coty Prestige develops and distributes any fragrance for the label Karl Lagerfeld. She also stated:
“Mr Lagerfeld refutes his implication in the launch of the perfume Paper Passion. This project, of which Mr Steidl [Steidl - Lagerfeld's publisher] told him about, only emanates from the art books' publisher himself.
Mr Lagerfeld copublishes many books with Mr Steidl but sticks to Coty Prestige when it is about his own perfumes' creations.”
Books shape man's mind and heart. I adore Karl Lagerfeld.
Luxuo
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